Supplication in the Bābā Jalīlī Suite
This supplication alternates between high and low tones, with restrained and more intense melodies—such as a shor phrase1 (2'11)—rising up and immediately subsiding. Ostad uses different playing techniques from the tanbur and the setār2 to produce successive waves of notes that unfold in a permanent drone on the low note.
1 A kind of roll produced by the right hand.2 The Persian setār is a classical instrument belonging to the family of long-neck lutes. It initially had three strings, but it is said that a fourth string was added in the eighteenth century by Moshtāq Alīshāh, an ecstatic mystic and legendary musician who was a setār master. The right-hand playing technique involves only the index finger, which plucks the strings in a back and forth movement, whereas Ostad's technique on the tanbur uses all five fingers of the right hand.
Supplication in the Bābā Jalīlī Suite
The Eternal and the Ephemeral
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