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The Eternal and the Ephemeral

Suite of Zekrs

The three zekrs1 in this suite are addressed to Soltān;2 the first and third were composed by Ostad, while the second was composed by his father Hādj Nemat.3

The first zekr is characterized by a recurring chord that concludes each phrase of the chant. An astute listener will hear a number of improvised movements of rhythm, creating the impression of multiple instruments being played at the same time.

Soltān Sahākī Ali gīān
Shāy tanīā tākī Ali gīān

O Ali, my Beloved, you are Soltān Sahāk, the Lord
O Ali, my Beloved, you are the unique and peerless King

The second and third zekrs are quite close from a melodic standpoint and are especially rhythmic. Behind the simple chant lies a highly dense melody with a multitude of subtle variations and ornaments.

Soltān-e mardān yā Ali
Shafāy kol dardān yā Ali

You are the Sovereign of all beings, O Ali
You are the remedy for all ills, O Ali

Soltān sar jam Hū Hū
Zāt-esh va jam Hū Hū

Soltān, He presides over the gathering, Hū Hū
His essence is present in this gathering, Hū Hū

As is often the case, this series of zekrs ends with “Hū avval-o ākherem Yār” (He! [You] are my beginning and my end).


1 A zekr is a sacred hymn in which participants repeat the refrains in chorus.2 Soltān Sahāk (or Eshāq) was a great theophany of the fourteenth centuries and is considered the founder of the Ahl-e Haqq order, the mystical tradition in which Ostad Elahi was raised. Addressing Soltān is also a way of invoking the Divinity, as is invoking Hū, which refers to both the personal pronoun "He" and the "Breath."3 A writer and mystical poet in the Kurdish and Persian languages, Hādj Nemat is regarded as a great saint of the Ahl-e Haqq tradition.

Suite of Zekrs

The Eternal and the Ephemeral

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